GOD MUST DIE

By Mustajauddin MALIK

FILM INDUSTRY PRODUCTIONS - as PROD

Fantasy - Completed 2024

Echoing Dostoevsky, Nietzsche, Sartre, Epicurus, Charvaka, and Iqbal, a gifted painter’s haunting declaration— “I have killed God”—ignites global unrest, exposing the silent spiritual crisis of a generation torn between inherited belief and personal truth.


Festivals
& Awards

Onyko Films Awards 2024
Official Selection
HIFF - HALO International Film Festival 2024
Winner Best Actor
Western Canadian International Film Festival 2024
Winner Best Film
Sweden Film Awards 2024
Semi-Finalist
Hervey Bay Film Festival 2024
Finalist
Luleå International Film Festival 2024
Official Selection
Cannes World Film Festival 2024
Winner Best Actor in a Feature Film
FESTIVAL ANGAELICA 2025
Official Selection
    • Year of production
    • 2024
    • Genres
    • Fantasy, Drama
    • Countries
    • INDIA
    • Languages
    • HINDI
    • Budget
    • N/A
    • Duration
    • 103 mn
    • Director(s)
    • Mustajauddin MALIK
    • Writer(s)
    • Mustajabuddin MALIK, J P KARDAM, Jasvinder SINGH
    • Producer(s)
    • Film Industry PRODUCTIONS
    • Synopsis
    • God Must Die is a bold, cerebral drama inspired by the philosophical legacies of Fyodor Dostoevsky (Notes from Underground), Friedrich Nietzsche, Jean-Paul Sartre, Epicurus,Charvaka, and Allama Iqbal. The film follows Abram, a gifted painter whose art becomes the battleground of a soul torn between tradition and personal truth. Isolated and restless, unable to reconcile inherited faith with lived experience, Abram reaches a breaking point—and publicly declares: “I have killed God.”

      His words, echoing Nietzsche's infamous proclamation yet rooted in a deeply personal crisis, trigger global unrest. Across continents, youth burdened by dogma and spiritual confusion recognize their own silent struggle in Abram’s defiance. From Delhi to Berlin, Cairo to New York, the existential dilemma reawakens: If God is dead, what remains?

      As religious institutions, media voices, and ideological forces clash, Abram becomes an icon—of both provocation and liberation. His journey, poetic and painful, reflects a generation standing at the edge of faith, identity, and meaning.

      God Must Die is not just a film. It is a cinematic confrontation with belief, a philosophical reckoning, and a mirror to a world trembling under the weight of unanswered questions.